A24's Backrooms Opens to $38 Million Friday, Tracking Toward $90 Million Weekend
Bad Bunny's Madrid Residency Is a 550,000-Person Bet on Live Music as a Cultural Anchor
'60 Minutes' Future Won't Look Like Its Past. New Chief Nick Bilton May Try Gonzo Journalism
Adewale Akinnuoye-Agbaje on the 'Euphoria' Finale: Alamo Sees Rue's Death as a Chess Move
The actor breaks down the Season 3 endgame — and what it means for HBO Max's most-watched drama to go out on a villain's terms.
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A24's 'Backrooms' Hits $118M Worldwide, 'Michael' Closes In on $900M, and 'Obsession' Quietly Banks $148M
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Latest Media Briefs
llms.txtAdewale Akinnuoye-Agbaje on the 'Euphoria' Finale: Alamo Sees Rue's Death as a Chess Move
The actor breaks down the Season 3 endgame — and what it means for HBO Max's most-watched drama to go out on a villain's terms.
'Backrooms' Heads for $90 Million Opening as Horror Beats 'Star Wars' at Box Office
A24 shatters its own opening record while 'The Mandalorian & Grogu' craters 70% in its second weekend — a box office weekend that rewrites the franchise playbook.
A24's Backrooms Opens to $38 Million Friday, Tracking Toward $90 Million Weekend
Kane Parsons' feature debut doesn't just beat A24's opening weekend record — it laps it. Here's what the numbers actually mean for the distributor's business model.
Bad Bunny's Madrid Residency Is a 550,000-Person Bet on Live Music as a Cultural Anchor
Ten nights at the Riyadh Air Metropolitano signals how Latin superstars are rewriting the economics of the stadium run.
'60 Minutes' Future Won't Look Like Its Past. New Chief Nick Bilton May Try Gonzo Journalism
Incoming executive producer Nick Bilton is signaling a structural overhaul of the CBS flagship — beat correspondents, a looser editorial posture, and a mandate that landed on the newsroom like a ton of bricks.
Charlie Puth Turned Madison Square Garden Into a Surprise Machine — And That's a Business Strategy
Art Garfunkel, Jimmy Fallon, Busta Rhymes, and Kirk Franklin didn't just show up to celebrate Puth. They showed up to make the concert impossible to replicate on a screen.
Netflix Is Pulling These Shows in June — Here's What That Tells You About the Licensing Game
Sex and the City, Turn: Washington's Spies, and a handful of other titles are leaving Netflix next month. The real story isn't what to watch — it's why these shows keep cycling out and what that churn costs everyone.
Andrew Jenkins Is Leaving Universal Music Publishing Group After Nearly Two Decades
One of UMPG's longest-serving executives announced his departure on June 1, closing a tenure that stretched across the industry's most turbulent years in music publishing.
BBC Comedy Boss Jon Petrie Exits After Five Years to Join Hat Trick as Creative Director
The executive behind Dreaming Whilst Black and Such Brave Girls is moving to the indie that made Derry Girls — a lateral move that tells you something about where the real creative leverage sits in British comedy right now.
Streaming Bundles Become the New Front Line for Media Companies
As subscriber growth plateaus, the major streamers are betting that packaging services together will cut churn, lift average revenue per user, and rewrite the economics of the attention economy.
Creators face a platform-risk reckoning as monetization rules shift
From TikTok's Creativity Program overhaul to YouTube's ad-share thresholds, the payout landscape is changing fast — and creators who built on a single platform's terms are finding out what that dependency actually costs.
Brands Are Becoming Media Companies Because Social Platforms Left Them No Choice
As TikTok, Instagram, and YouTube rewire feeds around entertainment logic, marketers are abandoning the interruption model and building content operations that look a lot like studios.
Why 'The Mandalorian and Grogu' Is Being Built Like a Prestige Film, Not a Streaming Series
The theatrical debut of Disney's flagship Star Wars property carries cinematic DNA from John Woo and William Friedkin — and that's a deliberate business signal, not just a creative flex.
A24's 'Backrooms' Hits $118M Worldwide, 'Michael' Closes In on $900M, and 'Obsession' Quietly Banks $148M
Three films at very different budget tiers are rewriting expectations for what theatrical can still do in 2026.
AI on the Lot Has Gotten Bigger. Hollywood's Skepticism Has Too.
Amazon MGM hosted 2,500 attendees for the conference's most ambitious edition yet. The enthusiasm was real. So was the unresolved tension over jobs, rights, and who actually benefits.
Lukita Maxwell Stayed Out of the Backrooms Lore — On Purpose
The A24 horror star explains why she avoided Kane Parsons's original web series. The decision reveals something real about how IP travels from internet subculture to studio release.
'Backrooms' Opens to $118M Globally as Kane Parsons Sets a Record No Studio Expected to Break This Fast
The A24/Chernin horror film delivers the highest opening weekend ever for an original debut-director film. The internet-born IP just became a theatrical business case study.
Billy Eichner Says a 'Billy on the Street' Revival Is Always on the Table
The comic actor is promoting his audio memoir and keeping the door open on the show that made him — a signal worth reading in the current nostalgia-driven streaming economy.